Steve Martin
Steve Martin
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Martin was born in Waco, Texas, the son of Mary Lee Martin and Glenn Vernon Martin, a real estate salesman and an aspiring actor.
Martin was raised in Inglewood, California and then later in Garden Grove, California, in a Baptist family. One of his earliest memories is of seeing his father, as an extra, serving drinks onstage at the Call Board Theatre on Melrose Place. During World War II, in England, Martin's father had appeared in a production of Our Town with Raymond Massey. Years later, he would write to Massey for help in Steve's fledgling career, but would receive no reply. Expressing his affection through gifts of cars, bikes, etc., Martin's father was stern, not emotionally open to his son. He was proud but critical, with Martin later recalling that in his teens his feelings for his father were mostly ones of hatred. In his authorised biography, close friend Morris Walker suggests that Martin could "be described most accurately as an agnostic [...] he rarely went to church and was never involved in organised religion of his own volition".
Martin's first job was at Disneyland, selling guidebooks on weekends and full-time during the summer school break. That lasted for three years (1955–1958). During his free time he frequented the Main Street Magic shop, where tricks were demonstrated to potential customers. By 1960 he had mastered several of the tricks and illusions, and took a paying job there in August. There he perfected his talents for magic, juggling, and creating balloon animals frequently performing for tips.
After high school graduation, Martin attended Santa Ana Junior College, taking classes in drama and English poetry. In his free time he teamed up with friend and Garden Grove High School classmate Kathy Westmoreland to participate in comedies and other productions at the Bird Cage Theatre. He joined a comedy troupe at Knott's Berry Farm. Later, he met budding actress Stormie Sherk, and they developed comedy routines while becoming romantically involved. Stormie's influence caused Steve to apply to the California State University, Long Beach for enrollment with a major in Philosophy.Stormie enrolled at UCLA, about an hour's drive north, and the distance eventually caused them to lead separate lives.
Being inspired by his philosophy classes, for a short while he considered becoming a professor instead of an actor-comedian. His time at college changed his life. "It changed what I believe and what I think about everything. I majored in philosophy. Something about non -sequiturs appealed to me. In philosophy, I started studying logic, and they were talking about cause and effect, and you start to realize, 'Hey, there is no cause and effect! There is no logic! There is no anything!' Then it gets real easy to write this stuff, because all you have to do is twist everything hard—you twist the punch line, you twist the non sequitur so hard away from the things that set it up". In an article for The Smithsonian Institute he remembered, "In a college psychology class, I had read a treatise on comedy explaining that a laugh was formed when the storyteller created tension, then, with the punch line, released it. I didn't quite get this concept, nor do I still [...]. What if there were no punch lines? What if there were no indicators? What if I created tension and never released it? What if I headed for a climax, but all I delivered was an anticlimax? What would the audience do with all that tension? Theoretically, it would have to come out sometime. But if I kept denying them the formality of a punch line, the audience would eventually pick their own place to laugh, essentially out of desperation. [...] My first reviews came in. One said, 'This so-called "comedian" should be told that jokes are supposed to have punch lines.' Another said I represented 'the most serious booking error in the history of Los Angeles music.' " Martin periodically spoofed his philosophy studies in his 1970s stand-up act, comparing philosophy with studying geology. "If you're studying geology, which is all facts, as soon as you get out of school you forget it all, but philosophy you remember just enough to screw you up for the rest of your life."
In 1967, Martin transferred to UCLA and switched his major to theater. While attending college, he appeared in an episode of The Dating Game. Martin began working local clubs at night, to mixed notices and at twenty-one, he dropped out of college.
In 1967, his former girlfriend Nina Goldblatt, a dancer on The Smothers Brothers Comedy Hour, helped Martin land a writing job with the show by submitting his work to head writer Mason Williams. Williams initially paid Martin out of his own pocket. Along with the other writers for the show, Martin won an Emmy Award in 1969, aged 23. He also wrote for John Denver (a neighbor of his in Aspen, Colorado, at one point), The Glen Campbell Goodtime Hour, and The Sonny and Cher Comedy Hour. Martin's first TV appearance was on The Steve Allen Show in 1969. He says: "[I] appeared on The Virginia Graham Show, circa 1970. I looked grotesque. I had a hairdo like a helmet, which I blow-dried to a puffy bouffant, for reasons I no longer understand. I wore a frock coat and a silk shirt, and my delivery was mannered, slow and self-aware. I had absolutely no authority. After reviewing the show, I was depressed for a week." During these years his roommates included comedian Gary Mule Deer and singer/guitarist Michael Johnson. Martin opened for groups such as The Nitty Gritty Dirt Band, The Carpenters, and Toto. He appeared at San Francisco's The Boarding House, among other venues. He continued to write, earning an Emmy nomination for his work on Van Dyke and Company in 1976.
In the mid-1970s, Martin made frequent appearances as a stand-up comedian on The Tonight Show Starring Johnny Carson. That exposure, together with The Gong Show, HBO's On Location and NBC's Saturday Night Live (SNL). SNL's audience jumped by a million viewers when he made guest appearances, though despite a common misconception, he was never a cast member. Martin has guest-hosted Saturday Night Live 15 times, as of January 2009, tied in numbers of presentations, with host Alec Baldwin. On the show, Martin popularized the air quotes gesture, which uses four fingers to make double quote marks in the air. While on the show Martin became close with several of the cast members, including Gilda Radner. On the day Radner died of ovarian cancer in 1989, Martin was to host SNL. Martin, deeply moved, featured footage of himself and Radner together in a 1978 sketch.
His TV appearances in the '70s led to the release of comedy albums that would go platinum. The track "Excuse Me" on his first album, Let's Get Small, helped establish a national catch phrase. His next album, A Wild and Crazy Guy (1978), was an even bigger success, reaching the #2 spot on the US sales chart, selling over a million copies. "Just a wild and crazy guy" became another of Martin's known catch phrases. The album featured a Saturday Night Live sketch of Martin and Dan Aykroyd playing the Festrunk Brothers, a couple of bumbling Czechoslovak would-be playboys. The album ends with the song "King Tut", sung and written by Martin and backed by the "Toot Uncommons", members of the Nitty Gritty Dirt Band. It was later released as a single, reaching #17 on the US charts in 1978 and selling over a million copies. The song came out during the King Tut craze that accompanied the popular traveling exhibit of the Egyptian king's tomb artefacts. Both albums won Grammys for Best Comedy Recording in 1977 and 1978, respectively. Martin performed "King Tut" on the April 22, 1978, edition of SNL.
On his comedy albums, Martin's stand-up is self-referential and sometimes self-mocking. It mixes philosophical riffs with sudden spurts of "happy feet", banjo playing with balloon depictions of concepts like venereal disease, and the controversial kitten juggling (he is a master juggler). His style is off-kilter and ironic, and sometimes pokes fun at stand-up comedy traditions, such as Martin opening his act (from A Wild and Crazy Guy) by saying, "I think there's nothing better for a person to come up and do the same thing over and over for two weeks. This is what I enjoy, so I'm going to do the same thing over and over and over [...] I'm going to do the same joke over and over in the same show, it'll be like a new thing." Or: "Hello, I'm Steve Martin, and I'll be out here in a minute." In one comedy routine, used on the Comedy Is Not Pretty!, Martin claimed that his real name was "Gern Blanston". The riff took on a life of its own. There is a Gern Blanston website, and for a time a rock band took the monicker as their name. He stopped stand-up in 1981 to concentrate on movies and never went back.
Martin was raised in Inglewood, California and then later in Garden Grove, California, in a Baptist family. One of his earliest memories is of seeing his father, as an extra, serving drinks onstage at the Call Board Theatre on Melrose Place. During World War II, in England, Martin's father had appeared in a production of Our Town with Raymond Massey. Years later, he would write to Massey for help in Steve's fledgling career, but would receive no reply. Expressing his affection through gifts of cars, bikes, etc., Martin's father was stern, not emotionally open to his son. He was proud but critical, with Martin later recalling that in his teens his feelings for his father were mostly ones of hatred. In his authorised biography, close friend Morris Walker suggests that Martin could "be described most accurately as an agnostic [...] he rarely went to church and was never involved in organised religion of his own volition".
Martin's first job was at Disneyland, selling guidebooks on weekends and full-time during the summer school break. That lasted for three years (1955–1958). During his free time he frequented the Main Street Magic shop, where tricks were demonstrated to potential customers. By 1960 he had mastered several of the tricks and illusions, and took a paying job there in August. There he perfected his talents for magic, juggling, and creating balloon animals frequently performing for tips.
After high school graduation, Martin attended Santa Ana Junior College, taking classes in drama and English poetry. In his free time he teamed up with friend and Garden Grove High School classmate Kathy Westmoreland to participate in comedies and other productions at the Bird Cage Theatre. He joined a comedy troupe at Knott's Berry Farm. Later, he met budding actress Stormie Sherk, and they developed comedy routines while becoming romantically involved. Stormie's influence caused Steve to apply to the California State University, Long Beach for enrollment with a major in Philosophy.Stormie enrolled at UCLA, about an hour's drive north, and the distance eventually caused them to lead separate lives.
Being inspired by his philosophy classes, for a short while he considered becoming a professor instead of an actor-comedian. His time at college changed his life. "It changed what I believe and what I think about everything. I majored in philosophy. Something about non -sequiturs appealed to me. In philosophy, I started studying logic, and they were talking about cause and effect, and you start to realize, 'Hey, there is no cause and effect! There is no logic! There is no anything!' Then it gets real easy to write this stuff, because all you have to do is twist everything hard—you twist the punch line, you twist the non sequitur so hard away from the things that set it up". In an article for The Smithsonian Institute he remembered, "In a college psychology class, I had read a treatise on comedy explaining that a laugh was formed when the storyteller created tension, then, with the punch line, released it. I didn't quite get this concept, nor do I still [...]. What if there were no punch lines? What if there were no indicators? What if I created tension and never released it? What if I headed for a climax, but all I delivered was an anticlimax? What would the audience do with all that tension? Theoretically, it would have to come out sometime. But if I kept denying them the formality of a punch line, the audience would eventually pick their own place to laugh, essentially out of desperation. [...] My first reviews came in. One said, 'This so-called "comedian" should be told that jokes are supposed to have punch lines.' Another said I represented 'the most serious booking error in the history of Los Angeles music.' " Martin periodically spoofed his philosophy studies in his 1970s stand-up act, comparing philosophy with studying geology. "If you're studying geology, which is all facts, as soon as you get out of school you forget it all, but philosophy you remember just enough to screw you up for the rest of your life."
In 1967, Martin transferred to UCLA and switched his major to theater. While attending college, he appeared in an episode of The Dating Game. Martin began working local clubs at night, to mixed notices and at twenty-one, he dropped out of college.
In 1967, his former girlfriend Nina Goldblatt, a dancer on The Smothers Brothers Comedy Hour, helped Martin land a writing job with the show by submitting his work to head writer Mason Williams. Williams initially paid Martin out of his own pocket. Along with the other writers for the show, Martin won an Emmy Award in 1969, aged 23. He also wrote for John Denver (a neighbor of his in Aspen, Colorado, at one point), The Glen Campbell Goodtime Hour, and The Sonny and Cher Comedy Hour. Martin's first TV appearance was on The Steve Allen Show in 1969. He says: "[I] appeared on The Virginia Graham Show, circa 1970. I looked grotesque. I had a hairdo like a helmet, which I blow-dried to a puffy bouffant, for reasons I no longer understand. I wore a frock coat and a silk shirt, and my delivery was mannered, slow and self-aware. I had absolutely no authority. After reviewing the show, I was depressed for a week." During these years his roommates included comedian Gary Mule Deer and singer/guitarist Michael Johnson. Martin opened for groups such as The Nitty Gritty Dirt Band, The Carpenters, and Toto. He appeared at San Francisco's The Boarding House, among other venues. He continued to write, earning an Emmy nomination for his work on Van Dyke and Company in 1976.
In the mid-1970s, Martin made frequent appearances as a stand-up comedian on The Tonight Show Starring Johnny Carson. That exposure, together with The Gong Show, HBO's On Location and NBC's Saturday Night Live (SNL). SNL's audience jumped by a million viewers when he made guest appearances, though despite a common misconception, he was never a cast member. Martin has guest-hosted Saturday Night Live 15 times, as of January 2009, tied in numbers of presentations, with host Alec Baldwin. On the show, Martin popularized the air quotes gesture, which uses four fingers to make double quote marks in the air. While on the show Martin became close with several of the cast members, including Gilda Radner. On the day Radner died of ovarian cancer in 1989, Martin was to host SNL. Martin, deeply moved, featured footage of himself and Radner together in a 1978 sketch.
His TV appearances in the '70s led to the release of comedy albums that would go platinum. The track "Excuse Me" on his first album, Let's Get Small, helped establish a national catch phrase. His next album, A Wild and Crazy Guy (1978), was an even bigger success, reaching the #2 spot on the US sales chart, selling over a million copies. "Just a wild and crazy guy" became another of Martin's known catch phrases. The album featured a Saturday Night Live sketch of Martin and Dan Aykroyd playing the Festrunk Brothers, a couple of bumbling Czechoslovak would-be playboys. The album ends with the song "King Tut", sung and written by Martin and backed by the "Toot Uncommons", members of the Nitty Gritty Dirt Band. It was later released as a single, reaching #17 on the US charts in 1978 and selling over a million copies. The song came out during the King Tut craze that accompanied the popular traveling exhibit of the Egyptian king's tomb artefacts. Both albums won Grammys for Best Comedy Recording in 1977 and 1978, respectively. Martin performed "King Tut" on the April 22, 1978, edition of SNL.
On his comedy albums, Martin's stand-up is self-referential and sometimes self-mocking. It mixes philosophical riffs with sudden spurts of "happy feet", banjo playing with balloon depictions of concepts like venereal disease, and the controversial kitten juggling (he is a master juggler). His style is off-kilter and ironic, and sometimes pokes fun at stand-up comedy traditions, such as Martin opening his act (from A Wild and Crazy Guy) by saying, "I think there's nothing better for a person to come up and do the same thing over and over for two weeks. This is what I enjoy, so I'm going to do the same thing over and over and over [...] I'm going to do the same joke over and over in the same show, it'll be like a new thing." Or: "Hello, I'm Steve Martin, and I'll be out here in a minute." In one comedy routine, used on the Comedy Is Not Pretty!, Martin claimed that his real name was "Gern Blanston". The riff took on a life of its own. There is a Gern Blanston website, and for a time a rock band took the monicker as their name. He stopped stand-up in 1981 to concentrate on movies and never went back.
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